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This publication argues that the idea of strength elaborated in Immanuel Kant's aesthetics (and particularly, his theorization of the dynamic chic) is of decisive significance to poetry within the 19th century and to the relationship among poetry and philosophy during the last centuries. encouraged through his deep engagement with the severe concept of Walter Benjamin, who in particular constructed this Kantian pressure of considering, Kevin McLaughlin makes use of this thought of strength to light up the paintings of 3 of the main influential nineteenth-century writers of their respective nationwide traditions: Friedrich Hölderlin, Charles Baudelaire, and Matthew Arnold. the result's a very good elucidation of Kantian thought and a clean account of poetic language and its aesthetic, moral, and political possibilities.

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